| Interpret |
| The Who |
| Titel |
| The Who Sell Out |
| Veröffentlichung |
| Dezember 1967 |
| Aufnahme |
| 1967 |
| Label |
| Decca |
| Tonträgertyp |
| Album (LP) |
| Instrumentalstil |
| |
| Musikstil |
| Rock |
| Essembleart |
| Band |
|
| Bewertungen |
 #113 RollingStone.com (USA, 2003)
 #385 RateYourMusic.com (Mrz 2006)
 #326 Virgin/Colin Larkin(2000)
 #38 Mojo4music.com (Aug 1995)
 #163 DigitalDreamDoor.com (2004)
 #89 AdrianDenning.co.uk (2004)
 #401 Rolling Stone Forum (Jan 2005)
 #69 Rock Critics Choice(1978)
#66 Rock Critics Choice(1987)
 #15 Sounds(2009)
 eins von 1001 Alben, die Ihr hören solltet, bevor das Leben vorbei ist! (2008)
eins von 250 Meisterwerken aus fünf Jahrzehnten (Sounds, 2009) |
 
(1.1% bis Platz 25)
(5.8% bis Platz 100)
(17.1% bis Platz 500)
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| Mit eigenen Worten ... |
The Who\'s third record strung together recent singles with fake radio jingles and announcements. It was a sendup of consumer culture, and the band\'s first stab at a concept album. Songs such as \"Mary Anne With the Shaky Hand,\" \"Silas Stingy\" and \"Tattoo\" have an almost psychedelic melodicism and hint at the kind of character studies Pete Townshend would explore more fully on Quadrophenia and Tommy. And \"I Can See for Miles\" is simply classic Who, driven by Townshend\'s acoustic and electric power chords, John Entwistle\'s contrapuntal bass figures and Keith Moon\'s hydraulic drumming.
Total album sales: Under 500,000
Peak chart position: 48
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