A stunning, breakthrough album, one which would change the complexion and range of bluegrass music forever. Even after hearing the instrumental numbers on The Rounder Album, few people could have predicted the radical innovations on this album, a full-blown transistion into a new acoustic jazz. The debts to old jazz greats such as gypsy swing guitarist Django Rinehardt and instrumental pioneers like Joe Venuti and Eddie Lang, yet the album also oozes with a rich hillbilly traditionalism. The musical themes are exquisitely developed, with a combination of delicacy and drive; solo after solo soars past, bouyed up by intricate, puzzlelike arrangements. Those of a critical bent could pick this apart for its sugary character, or too-perfect aspirations, but really this record is an exhiliarating revelation. Highly recommended!!
For those unfamiliar with "Dawg" music it's a little from column A and a little from column B. A basis in bluegrass with an affinity for jazz and then a whole lot of heart and soul thrown in for good measure. The instruments themselves, with their history and patina of age, could stand alone as the stars here were it not for the clever hands playing them. Each player giving his all and carefully avoiding the feet of his fellow dancers. Grisman may write the letter, but it takes all five members to deliver it successfully. The cover photos, simple as they may be, capture all you need to see. The quintet don't hold back much, what you see is pretty much what you get.
(Tralfaz-Archive)