"On a major label for the first time, Phillipps crafted a lovely
record indeed, a mere thirty-six minutes and not a second wasted. Lead-off
track and single "Heavenly Pop Hit" remains the most famous
track and deservedly so over a rapturous keyboard/rhythm combination,
Phillipps sings just that, an inspiring lyric with a soaring chorus, aided
by additional backing vocals from guest Donna Savage. From there it's
one high point after another, never losing the sense of elegance and drive
that characterizes the band's work. Phillipps' at-once strong and amiably
regular-guy vocals and astonishingly intelligent but never overly obtuse
lyrics are both wonders, while Andrew Todd's excellent keyboard work provides
both energy and lovely shading. Add to that a fine rhythm section in bassist
Justin Harwood and drummer James Stephenson, and it's no wonder this version
of the Chills succeeds as it does. One fantastic example of their work
together is "Singing In My Sleep," with Phillipps giving heavy
tremolo treatment to his guitar as everyone else creates something that's
not too far from Neu!'s motorik throb, in a gentler pop vein. More such
Krautrock-inspired chug has plenty of echoes on Bells, following in the
same vein as "I Love My Leather Jacket" check out the
brisk delivery on "The Oncoming Day" or the skipping intensity
of "Dead Web." Otherwise, there're hints of the gentle folky/medieval
touches they enjoy on "I SOAR" and "Don't BeMemory"
and more straightforward rocking out on the sharp "Familiarity Breeds
Contempt," where Phillipps' New Zealand burr comes through with intensity.
The title track, with serene orchestration filling out the grand arrangement,
is a note-perfect way to conclude such a fantastic release. Ned
Raggett"
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