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The pressure to surpass Pet Sounds and keep apace with the ante-upping Beatles set the stage for this obsessive-compulsive, career-derailing masterpiece. Wilson amassed hours upon hours of tape at multiple studios to cobble together his intricately segmented, cut'n'paste "pocket symphony," reportedly spending anywhere between $16-50,000 to produce three-and-a-half minutes of weird yet accessible pop. Besides its haunting organs, shapeshifting riffs, and cubist harmonies, "Good Vibrations" introduced the electro-Theremin (now often known as the Tannerin, its interface involves shifting the pitch of a sine wave by sliding a knob across a dummy keyboard) to the world at large, its bright eeriness audibly echoing Wilson's knack for blending the mundane with the extraterrestrial.
(Brian Howe) |