Der Sohn der Samba-Legende Ivor Lancelotti mit einem faszinierenden Solo- Album zwischen Indie, Pop, Soundtrack und Latin. Produziert von Mario Caldato Jr. (Beastie Boys, Jack Johnson, Beck)

The words "cine privê" conjure up late-night skin flicks for Brazilians, but the more appropriate meaning of the album title is closer to its literal translation: private cinema. Domenico writes and co-writes all the songs, sings, plays guitar and designs the rhythmically adventurous soundscapes heard on Cine Privê. Built on consistently intriguing rhythms and sonic textures, Cine Privê is reminiscent of the meditative yet swinging quality of Joao Donato's mid-seventies albums (Quem É Quem & Lugar Comum) as filtered through the indie aesthetic of Yo La Tengo, Pavement or Stereolab, sans the in-your-face avant-garde-isms. True to his intentions, many of Domenico's songs come across like soundtracks to lost films, for instance: the falling-in-love montage in an Italian rom-com starring Roberto Benigni ("Su Di Te") or the Spaghetti Western set in the Brazilian Northeast.