Reid's initial pair of albums are very similar, and it's really a toss-up
as to which one is better. If either rates a slight edge, it would be
Terry Reid, as it finds his songwriting skills slightly more developed.
The Donovan influence is again apparent on the cover of the Scotsman's
"Superlungs My Supergirl," and "Stay with Me Baby"
is another well-done blue-eyed soul showcase. As a songwriter, Reid still
had a way to go, sounding better on the gentler, folkier numbers than
the all-out power trio numbers. Such unfulfilled promise was understandable
to a degree, as Reid was not yet 20 when this was released; unfortunately,
he would never significantly expand on the promise of his first two LPs.
The CD reissue on BGO adds four bonus cuts from the two rare non-LP singles
he recorded in 1967 and 1968, prior to the issue of Bang, Bang You're
Terry Reid.
(by Richie Unterberger, All
Music Guide)
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