The late Eddie Hinton never got his due by mass culture standards, though
soul music lovers everywhere are deeply indebted to him. Over the course
of only six recordings, Hinton defined the ethos of the Southern white
soul singer. Many who heard his records on jukeboxes in bars and bowling
alleys and never saw his photograph were shocked to discover he was, in
fact, not African-American. The most important point, however, is that
Hinton was a natural; he never had to cultivate his sound -- he owned
it from the very beginning. His second-from-last album, recorded for the
Rounder subsidiary Bullseye Blues, evidences a solid, even acrobatic performance
from Hinton and a band that includes bassist Owen Brown and organ hero
Ron Levy. Thankfully, Hinton handled all the guitar chores himself; his
round, fat, funky textures adorn his razored yet sweet vocals like a blanket.
Standout tracks are the deep, horn-inflected "I Love Someone,"
with its Stax/Volt groove and rough and ready production. "Poor Ol'
Me" moves with a punch-drunk blues vibe that collects the horn section
around Hinton and pushes him deeply into the song's stop-and-start melody.
But nothing matches the intensity of the swamp soul of the last three
tracks: "Standin' In," "Hey Justine," and the literally
stunning "Nobody But You." On all three, Hinton's voice is unadorned
by production; it's almost shot from years of tobacco and whiskey and
yet, even at half power, he has more raw courage, more inspiring emotion
to bring it on home to the listener full-bore. He carries the band on
these songs, driving them deep into the tune's rhythms and harmonies with
a feral grace and unstoppable spirit that will echo hopefully for decades
to come, even though the singer is gone. This is bad-assed soul music
from the heart, without regard for niceties or trends. A classic.
(by Thom Jurek, All
Music Guide)
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