Look no further than the many pensive black and white photos, most with Graham Nash’s eyes either hidden behind shades or turned away from the camera, to get a feel for this reflective, atmospheric, sometimes brooding album. “Where are we going?” he asks on the opening title track, and “What are you going to do when the last show is over?” on the closing one. It goes to show that, even at 74 with more than five decades as a professional musician (he started singing in the Hollies at 20), Nash still has more questions than answers.
(AMERICAN SONGWRITER)
A starburst of glorious harmony ... the thought occurs that This Path Tonight could be Nash’s very own Blood On The Tracks . . .
(UNCUT)
Longtime Nash listeners will find plenty to satisfy them here”
(MOJO)
All the elements you’d want are there: acoustic guitars, harmonicas, harmonies ... and that Mancunian accent
(SHINDIG)
The path navigated by the folk-rock veteran — still in fine voice — is the road to rediscovery ... With producer Shane Fontayne adding dimension and tension to the music, Nash’s first album of originals in 14 years is marked by hope ...
(BOSTON GLOBE)
Trace elements of the same passion that drove him through his work with The Hollies and then Crosby, Stills & Nash (and sometimes Young) are clearly audible on This Path Tonight, though the Blackpool-born singer is obviously in a very different place now. This Path Tonight is simply Nash continuing to be as present as possible for everything he experiences and recording the results. It's what he does.
(NPR)
Plattentipp 
