Essentially a Hawkwind spin-off band, the Hawklords' run barely lasted a year, but proved significant in convincing founder-guitarist Dave Brock to give his parent band one more shot. The initial impetus grew from Hawkwind's six-week support stint in the U.S. between February and April 1978. Brock reportedly found the exercise so dispiriting that he sold his guitar just minutes after the final gig in California. Hawkwind manager Doug Smith convinced Brock to reconsider. To avoid the contractual and legal snares of using the Hawkwind name, Brock called his new band the Hawklords, which formed during the summer of 1978. The lineup included former Hawkwind stalwart Bob Calvert (vocals), as well as Harvey Bainbridge (bass, keyboards); Steve Swindells (keyboards) (of String Driven Thing and Pilot); and drummer Martin Griffin.

Hoping for a Jefferson Airplane-to-Starship-style transition between the two names, the Hawklords embarked on a 25-date autumn 1978 U.K. tour to push their 25 Years On album and "Psi Power"/"Death Trap" single. The classic Hawkwind sound still shone through the new material -- albeit with a rawer edge that also attracted younger, punk-era fans bemused by the band's reputation as unrepentant '60s-era holdovers. "Psi Power's" classic lyric about an unwilling recipient of extrasensory ability became the most enduring Hawklords song, at least for a while (it opens the 1984 live album This Is Hawkwind, Do Not Panic). But efforts to establish the new band grew complicated after the third reissue of Hawkwind's classic space rock anthem "Silver Machine," which reached number 34 on the U.K. charts.

Predictably, Brock's and Calvert's ever-fractious alliance didn't survive intact for long, either; in January 1979, Calvert left to pursue his on-again, off-again solo career. Griffin also departed, enabling Simon King to retake the position that he'd held in both bands between 1975 and 1978.

Now pared down to a compact quartet, the Hawklords suffered a further blow when Swindells defected, too, leaving Brock and Bainbridge to carry the flag for a few more aimless months. Almost on cue, Charisma issued the PXR5 album in May 1979 -- which had been recorded by the last Hawkwind lineup, but shelved due to the confusion surrounding the parent band's future.

The inevitable happened when Brock reverted to using Hawkwind's name by the summer of 1979, which only made sense -- since several of the same people had played in both bands, anyway. With King back in the fold, guitarist Huw Lloyd-Langton and ex-Gong keyboardist Tim Blake joined the resurrected Hawkwind in time for the year's first gig at Leeds' so-called Futurama Festival. Brief as it was, the Hawklords' run became an exhibit of "business as usual" -- even if the principal players took an unusually circular route to get there.

(by Ralph Heibutzki, All Music Guide)

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Beset by sufficient personnel difficulties to provoke a virtual band breakup, Hawkwind nevertheless regrouped almost immediately under the revised band name Hawklords, to cut an album that stands alongside Quark Strangeness and Charm as the very best full release of the band's late '70s. With Robert Calvert, Dave Brock, and Simon King joined by the bassist Harvey Bainbridge and drummer Martin Griffin, ex-member of Ark, and former Pilot keyboardist Steve Swindells, the opening "Psi Power," "Twenty-Five Years," "Flying Doctor," and the remarkable "(Only) The Dead Dreams of the Cold War Kid" all reveal Calvert at his lyrical peak, penning sharp commercial songs that utterly foreshadowed the synthesized pop boom of a year or two hence. Indeed, had Hawkwind only been more fashionable, the band might even have led that movement, instead of being sidelined among its lesser-referenced influences. And that remains one of this album's strongest points: beyond the brilliance of music and lyric, and the driving energy that was always the Hawks' calling card, it is a great electro-pop record.

(by Dave Thompson, All Music Guide)

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Neue offizielle Wiederveröffentlichung des Klassikers aus dem Jahre 1978 auf dem Atomhenge Label, dem neuen Sublabel von Cherry Red, auf dem der Hawkwind-Katalog aus den Jahren 1976 bis 1997 wiederveröffentlicht wird. Digital remastert von den Masterbändern. Mit umfangreichem Booklet und zahlreichen Bonustracks.