Produced by Giorgio Gomelsky, notable for his work with the Yardbirds,
Brian Auger, and Magma, this relatively early Gong project is a great
representation of the Daevid Allen-era Gong. Though not as intricate as
its follow-up companion piece, Angel's Egg, The Flying Teapot is more
of a true prog/space rock outing, where hippie-trippy lyrics and space
whispering abound, as evidenced in the opening track, "Radio Gnome
Invisible." The following cut, "Flying Teapot," is the
sprawling highlight of the album. At times reminiscent of some early Weather
Report jams, though not as jazzy, the tune features prominent bass, standout
percussion/drums, and space whispering courtesy of Smyth. Improvisational
groaning and percussion bring this jam to a close. "Pothead Pixies"
is a fun pop (pot?) tune which probably received very little, if any,
airplay due to the lyrics, followed by Blake's brief synth interlude,
"The Octave Doctors and the Crystal Machine." "Zero the
Hero and the Witch's Spell," another lengthy composition, features
Malherbe's sax playing, which, at this early point in the Gong evolution,
is credited for most of the jazz sounds heard in the music (remember,
Pierre Moerlen has yet to join the band). This cut becomes quite heavy
near its end before making a clever transition into the final cut, "Witch's
Song/I Am Your Pussy." Here you hear Smyth's strange, sexually explicit
lyrics, which she embellishes with ethereal voicings and cackling. This,
combined with a jazzy sax from Malherbe and some very groovy musical lines
near the closing, make for another fun tune.
(by David Ross Smith, All
Music Guide)
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