Verdienter Mann, dieser australische Weggefährte von Nick Cave. Er war schon zu Boys Next Door- und Birtday Party-Zeiten an Caves Seite, spielte zwischendurch mit Crime & The City Solution sechs Alben ein und ist bis heute bei Caves langjähriger Begleitband Bad Seeds dabei. Dazu produzierte Harvey einige Filmmusiken und veröffentlichte gleich zwei Tribute-Alben mit Cover-Versionen von Serge Gainsbourg. Aber ein erstes echtes Soloalbum kommt erst jetzt mit „One Man’s Treasure“. Eingespielt in Melbourne, hat Multiinstrumentalist Harvey hier fast alles selbst gemacht, lediglich eine paar Streicher hat er sich ins Studio geholt. Seinem Songwriting scheint er aber nach wie vor nicht viel zuzutrauen, weshalb es hier wieder in der Mehrzahl Cover-Versionen zu hören gibt, die meisten allerdings nicht sonderlich bekannt. So gesehen fällt „Mother Of Earth“ vom Gun Club schon aus dem Rahmen, dazu kommt Material von u.a. Lee Hazlewood und Tim Buckley. Als versierter Produzent und Arrangeur lässt er die Songs nach dunklem Kammer-Pop klingen, die Streicher oft recht dominant. Insgesamt ergibt diese Konstellation dann eine düster-elegische Stimmung, irgendwo zwischen der Musik von Nick Cave (natürlich!), Chris Eckman und Hugo Race.

(Joe Whirlypop,Glitterhouse)

While it's true that Bad Seeds musical director Mick Harvey has made solo records in the past, he's never made one quite like this. With the exception of a string trio, Harvey played everything himself on One Man's Treasure. But this is also something more than a one-man-band recording; with this outing, Harvey establishes himself not only as a fine composer, but as a songwriter. The album opens with "First St. Blues," in which the protagonist is a beggar seeking a dime toward a glass of wine and demands not to be pitied. Piano and electric guitar languidly introduce the changes and Harvey's baritone -- full of emotion, empathy and a documentarian's sense of truth -- begins his tale. It's haunting, but not sophomoric. The strings, keyboards and an acoustic guitar carry Harvey's voice in the moving love song "Come into My Sleep." But there is plenty of drama in his music as well. The tension that mounts in the swirling "Demon Alcohol" is almost unbearable. Country music, folk and subtle rock & roll color all of these songs. Country music has a rich history in Harvey's native Australia, and he uses it though it's portrayed through the prism of the cinematic -- check "The River," with its dark Telecasters twanging to accentuate the verses, or "Hank Williams Said It Best," which is kissed by Ennio Morricone's sense of atmosphere. Ultimately, One Man's Treasure is a collection of redemption songs, whether that redemption is wrought through love (found or lost), grief, disaster, or personal discovery. All of it is brought to bear by a completely unsentimental vision articulated by a songwriter who understands how a story is to be told. There is just enough air in this mix for the listener to breathe; it offsets the tight, precise, and wondrously limitless creativity Harvey exhibits here.

(by Thom Jurek, All Music Guide)