| Titel | Fortunate Son |
| Komposition | John C. Fogerty, 1969 |
| Originalinterpret | Creedence Clearwater Revival |
| Klicks | 30973 |
| Info | For all the hype about the 1960s being a time when politics and music merged into a great shining sword that thwarted racism and ended war, few of the era's protest songs have retained significant power outside of their initial context. Yet "Fortunate Son" has lost none of the ferocity with which it was initially written and recorded. Sure, it's great to hold hands and sing "We Shall Overcome" together, but angry times call for angry songs, spelled out in blunt language and bold colors. John Fogerty was perfect for this kind of righteous frustration, his voice strangled but defiant, punctuated by "Lord" invocations and slurring "it ain't me" into a garbled wail. Placed over a rhythm-section rumble and a pissed-off breakdown, and over in barely two minutes, it's enough of a middle finger to be rightly labeled as punk's cool uncle. The very fact of its continued political relevance only makes it sound even more livid, foaming at the mouth over how little has changed these last 40 years. (Rob Mitchum, Pitchfork) |
| Interpret | Titel | Label/Jahr | Platz |
|---|---|---|---|
| Creedence Clearwater Revival | "Willy and the Poor Boys" | Fantasy, 1969 |  |
| Cat Power | "Dark End Of The Street" |
Matador, 2008 |