Dem grellen Rampenlicht, in dem CSN & Y von Anbeginn an standen, entzog sich Tim Buckley konsequent. Der Lockenkopf aus Washington, D.C. wurde mit seinen bittersüßen Folkliedern zu einer Kultfigur des US-Underground. Bevor er 1975 an einer Überdosis Heroin starb, stellte er seinen Tenor nach Jahren des gewagten Experimentierens für zwei Alben in den Dienst eines einfacheren, aber immer noch sehr spannenden Rock: "Sefronia" (Bewertung siehe oben) und "Look At The Fool" (Edsel EDCD 294/TIS, 1974, AAD, 34:24, I:08, K:07, R:08) wurden für die CD hörbar klangoptimiert. ** Klang: 07-08

© Stereoplay

Buckley went deeper into White funk, despite two problems: White funk was not the forte of these L.A. session musicians and female backup vocalists, and not the style with which Buckley himself had the greatest empathy. His voice isn't as stunning as usual on his next-to-last album, but the bigger problem is the material, which is usually forced and pedestrian. Glimmers of quality can be heard on his cover of Fred Neil's "The Dolphins," and the strange two-part title track, which is a throwback to his more ambitious vocal workouts of times past.

(by Richie Unterberger, All Music Guide)